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Bartók, Esa-Pekka Salonen, Philharmonia Orchestra - Miraculous Mandarin / Dance Suite / Contrasts Album
Classical
Performer: Bartók, Esa-Pekka Salonen, Philharmonia Orchestra
Title: Miraculous Mandarin / Dance Suite / Contrasts
Style: Modern
Year Sep 2016
Country Europe
Label Signum Classics
Catalog Number SIGCD466
Genre: Classical
Rating: 4.8
Votes: 146
MP3 size: 2317 mb
FLAC size: 1985 mb
WMA size: 1612 mb
Record From: CD, Album

Bartók, Esa-Pekka Salonen, Philharmonia Orchestra - Miraculous Mandarin / Dance Suite / Contrasts Album

Tracklist

1Commodo - Finale5:00
2Molto Tranquillo3:27
31st Decoy Game3:39
4The Body Of The Mandarin Begins To Glow1:49
5Allegro Molto2:19
6Sebes(Fast Dance)6:50
7The Girl Sinks Down2:16
82nd Decoy Game3:21
9The Terrified Tramps Discuss How They Are To Get Rid Of The Mandarin2:04
10Verbunkos(Recruiting Dance)5:30
11Allegro Vivace3:07
12The Mandarin Falls On The Floor2:33
133rd Decoy Game1:39
14Suddenly The Mandarin's Head Appears Between The Pillows3:15
15Dance Suite
16The Tramps Leap Out2:32
17Pihen(Relaxation)4:39
18Miraculous Mandarin
19Moderato3:35
20The Mandarin Enters7:25
21Contrasts
22Introduction3:29

Credits

  • ChoirWomen's Voices Of The Philharmonia Chorus (tracks: 1-11)
  • ClarinetMark Van De Wiel (tracks: 17-19)
  • Composed ByBéla Bartók
  • ConductorEsa-Pekka Salonen
  • OrchestraPhilharmonia Orchestra
  • PianoYefim Bronfman (tracks: 17-19)
  • ViolinZsolt-Tihamér Visontay (tracks: 17-19)

Barcodes

  • Barcode: 635212046623

Album

Stravinsky: Le Sacre du PrintempsBartók: Miraculous Mandarin SuiteMussorgsky: Night on Bald Mountain - Los Angeles Philharmonic, Esa-Pekka Salonen. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Формат: CD , Album. Страна: Europe. Miraculous Mandarin. Conductor Esa-Pekka Salonen. Orchestra Philharmonia Orchestra. Piano Yefim Bronfman tracks: 17-19. Violin Zsolt-Tihamér Visontay tracks: 17-19. Introduction: A bustling city street Allegro. Béla Bartók. Esa-Pekka Salonen. 1st Decoy game Moderato. The girl's dance for the Mandarin contains both a waltz and the viola theme associated with her and the tramps. When the Mandarin seizes the girl, the minor second is heard again. The chase is represented by a fugue, whose subject also has a pentatonic flavor. Performances of the ballet suite outnumbered performances of the complete ballet until recent years. Recordings of the suite include: Antal Doráti and the Chicago Symphony Orchestra in 1953 on Mercury possibly the most famous. Esa-Pekka Salonen with the Los Angeles Philharmonic. Zubin Mehta with the Berlin Philharmonic. Jean Martinon with the Chicago Symphony Orchestra. Album 2016 19 Songs. By Béla BartókPhilharmonia Voices, Esa-Pekka Salonen & Philharmonia Orchestra. The Miraculous Mandarin, Sz. 73: 1st Decoy Game. 73: 2nd Decoy Game. 73: 3rd Decoy Game. Bartók: The Miraculous Mandarin - Dance Suite - Contrasts. Philharmonia Orchestra, Esa-Pekka Salonen. Nielsen: Symphony No. 2, Op. 16, Pan & Syrinx, Op. 49 & Aladdin Suite, Op. Esa-Pekka Salonen, Swedish Radio Symphony Orchestra. Esa-Pekka Salonen, Finnish Radio Symphony Orchestra, Magnus Lindberg : Metal Work Ablauf Twine Kinetics Jeux d'anches. Stravinsky: Oedipus Rex. 73: Introduction - A Bustling City Street. PHILHARMONIA ORCHESTRA. Dance Suite, Sz. 77: IV. Molto tranquillo. Commodo Finale. Mark van de Wiel, Yefim Bronfman, Zsolt-Tihamér Visontay. Contrasts, Sz. 111: II. Bartók - The Miraculous Mandarin, Suite - LSO, Solti. Ballet suite from The Miraculous Mandarin - Продолжительность: 20:19. 1: virtuosity Steadfast virtuosity Esa-Pekka Salonen. Photograph: Hiroyuki ItoGetty Images. This Bartók disc comes from the Philharmonias 2011 Infernal Dance series and the now-or-never concert adrenaline is palpable. Theres unflinching attack in the savage pantomime The Miraculous Mandarin, deadpan wit in the gentler Dance Suite, and its all delivered with that unnervingly meticulous, steely focus that conductor Esa-Pekka Salonen gets from the Philharmonia. His interpretations arent the wildest, and some might like their Bartók rougher-edged, but I was drawn in by the cool ferocity and steadfast virtuosity of these performances