Tracklist
1 | Frühling (Hesse) | 3:38 |
2 | Zueignung, Op. 10, No. 1 (von Gilm) | 1:54 |
3 | September (Hesse) | 5:24 |
4 | Waldseligkeit, Op. 49, No. 1 (Dehmel) | 3:17 |
5 | Beim Schlafenhegen (Hesse) | 5:25 |
6 | Cuatro Últimas Canciones | |
7 | Die Heiligen Drei Könige, Op. 56, No. 6 (Heine) | 6:38 |
8 | Cinco Canciones | |
9 | Freundliche Vision, Op. 48, No. 1 (Bierbaum) | 3:10 |
10 | Muttertändelei, Op. 43, No. 2 (Bürger) | 2:02 |
11 | Im Abendrot (Eichendorff) | 8:24 |
Versions
Category | Artist | Title (Format) | Label | Category | Country | Year |
---|---|---|---|---|---|---|
SAX 5158 | Richard Strauss / Elisabeth Schwarzkopf, George Szell, Berlin Radio Symphony Orchestra | Richard Strauss / Elisabeth Schwarzkopf, George Szell, Berlin Radio Symphony Orchestra - Four Last Songs (LP, Album) | Columbia | SAX 5158 | UK | 1966 |
1C 063-00 608 | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Symphonie-Orchester Berlin | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Symphonie-Orchester Berlin - Vier Letzte Lieder (LP) | EMI, Electrola | 1C 063-00 608 | Germany | Unknown |
EMX 4120914 | Richard Strauss / Elisabeth Schwarzkopf, George Szell, Berlin Radio Symphony Orchestra | Richard Strauss / Elisabeth Schwarzkopf, George Szell, Berlin Radio Symphony Orchestra - Four Last Songs (Cass) | EMI Eminence | EMX 4120914 | UK | Unknown |
36347, S-1-36347 | Richard Strauss / Elisabeth Schwarzkopf, George Szell, Berlin Radio Symphony Orchestra | Richard Strauss / Elisabeth Schwarzkopf, George Szell, Berlin Radio Symphony Orchestra - Four Last Songs (LP) | Angel Records, Angel Records | 36347, S-1-36347 | US | Unknown |
1C 063-00 608 | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Symphonie-Orchester Berlin | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Symphonie-Orchester Berlin - Vier Letzte Lieder (LP, RE, Red) | EMI, Electrola | 1C 063-00 608 | Germany | Unknown |
Credits
- Composed By – Richard Strauss
- Conductor – George Szell
- Engineer [Assistant] – Ernst Rothe, Wolfgang Gülich
- Orchestra – Orquesta Sinfónica De La Radio De Berlín
- Producer, Engineer – Walter Legge
- Sleeve Notes – William Mann
- Soprano Vocals – Elisabeth Schwarzkopf
Notes
Sleeve notes in spanish.
Companies:
EMI-Odeon, S.A. - Via Augusta 2, bis - Barcelona, on sleeve back
Barcodes
- Depósito Legal: B.202-1984
Companies
- Distributed By – EMI-Odeon, S.A.
- Edited At – EMI-Odeon, S.A.
Album
Формируйте собственную коллекция коллекцию записей Richard Strauss, Elisabeth Schwarzkopf, George Szell, Berlin Radio Symphony Orchestra. Album 2012 16 Songs. Radio-Symphonie-Orchester Berlin, Elisabeth Schwarzkopf & George Szell. Vier letzte Lieder Four Last Songs Op. Elisabeth Schwarzkopf. Strauss, R: Vier letzte Lieder, TrV 196: I. Elisabeth SchwarzkopfGeorge SzellRadio-Sinfonie-Orchester Berlin. Vier letzte Lieder Op. Strauss 11th June 1864 8th September 1949 was a German composer of the late Romantic era and early modern eras, particularly noted for his tone poems and operas which include Der Rosenkavalier and Salome his lieder, especially his Four Last Songs and his tone poems Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, An Alpine Symphony, and. Richard Strauss Composer, George Szell Conductor, London Symphony Orchestra Orchestra, Radio Symphonie-Orchester Berlin Orchestra, Elisabeth Schwarzkopf Performer & 2 more Format: Audio CD. Brahms: Wiegenlied, , No. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Richard Strauss. Conductor: George Szell. Performers: - Elisabeth Schwarzkopf. Berlin Radio Symphony Orchestra. London Symphony Orchestra. In MP3 format In FLAC format. Strauss - Songs with Orchestra. 01 - Vier letzte Lieder Four Last Songs Op. Strauss' highly pictorial score receives detailed treatment from Barenboim, and the musicians follow him every step of the way. This is a live recording, made to benefit the restoration of the Staatsoper unter den Linden, the Berlin State Opera building. What little is lost in the sound environment is more than amply repaid in the sense of immediacy felt and expressed by the musicians. Richard Strauss provides the red thread in this film through some of the performers. To start with the German soprano, Elisabeth Scharzkopf, whose career has been closely linked with the composer of The Cavalier of the Rose, since her premiere as Zerbinette in Ariane in Naxos which marks her real beginnings in 1944 in Vienna, until the Four Last Songs. In 1947, she signed an exclusive contract with EMI thanks to her agent who later became her husband, Walter Legge, the producer whose name is closely associated with the golden age of the record